Introducing my artist consulting service!

Today I’m really excited to announce something I’ve been contemplating for a long time.

Although, ArtistData helps over 15,000 artists be more efficient with their digital marketing, I also know that artists need more than tools. Regardless of how many tools are built for the artist community, there’s still a lot of musicians who need help figuring out how to best use them. That’s why I’ve just launched a service, aimed at doing just that.

Brenden Mulligan Consulting

I’ve spent the past 2 months on the road talking at music industry conferences. During this time, I’ve sat down with a LOT of musicians, asking endless questions about their frustrations. I expected answers like “I need newsletter manager” or “I need a better website”, but instead I heard “I need to know why people aren’t opening my email newsletters”, “I want my website to rank higher in Google”, and “I don’t know how to capture my fans attention through Twitter or my blog.”

Sometimes artists just need to ask someone “Here’s what I’m doing, how can I do it better?” And it’s helpful to ask someone who knows what they’re talking about.

I’ve spent the past 8 years watching this industry experience massive change. Since MySpace launched, I have focused on digital marketing. It’s what I know, and I love helping artists understand and leverage it.

So that’s what I’m announcing today. One-on-one sessions to help artists better understand digital marketing. I posted the full info on this site.

Check it out and let me know what you think. I’d love feedback. This is an evolving experiment with the honest goal of helping bands better understand how to move their careers forward.

I look forward to chatting!

Brenden
http://www.twitter.com/bmull

Tags: , , , ,

ArtistData wins a Chicago Innovation Award!

Before leaving for CMJ last week, I was invited to the Chicago Innovation Awards ceremony. As most of you know, ArtistData was a finalist for the innovation awards, so I was happy to be invited to the ceremony. By the end of the night, ArtistData had been awarded a Chicago Innovations People’s Choice Award!

This is a huge accomplishment for one reason: the award is about you guys, our users. It was your amazing feedback and support that won ArtistData this award. It is your constant feedback and ideas that help ArtistData continue to innovate and bring great products to market. It is YOU that inspires us to keep working, keep pushing, and keep making musicians’ lives easier and careers more manageable.

This award isn’t for ArtistData. It’s for the incredible community of music creators and supporters who use ArtistData. So thank you for and congratulations on being a part of this great accomplishment! As I’ve said many times before, you guys rock. Let’s go do a lot more!

Also, sorry for the silence and inactivity lately. There’s a lot going on behind the scenes and I’m excited to release some info about it all soon!

I’ve copied everyone’s feedback to post on ArtistData, so click here to read!

Speaking at December SF MusicTech

I’m excited to say that I’ve been invited to join the amazing group of speakers and panelists at the next SF MusicTech Summit happening at Hotel Kabuki on December 7!

sfmusictech

Hope to see some of you there!

Tags: , , , ,

Fall Speaking Schedule

Just wanted to let everyone know that I’ll be speaking a lot of upcoming music and technology conferences, so I’m hoping to meet a lot of ArtistData users in the process! The list is below, and click through to get information about each conference!


Americana Music Festival and Conference

The 10th annual Americana Music Festival & Conference will take place from Wednesday, September 16th through Saturday, September 19th, 2009, gathering thousands of artists, fans and industry professionals from all over the world

The Americana Music Festival features approximately 100 performances by legends and the next generation of stars of the four day event.

By day, the Americana Music Conference features numerous panels, seminars and much more providing the most educational music industry forum for discussion in the land.  This special event covers the interests and needs of artists, managers, labels, radio stations, publishers, agents, promoters, retailers, legal and business affairs executives,, merchandisers and new media professionals.

Simply put, the Americana Conference has something for anyone who has a passion for music.


Over 300 of the most influential decision-makers in the music industry gather in Los Angeles each year for this incredible 2-day deal-makers forum to network, do deals, and share ideas about the business. Digital Music Forum West – now in its 4th year – features a lively and fun debate on timely cutting-edge business topics, demos as well unrivaled access to some of the most progressive companies in Hollywood, Silicon Valley and beyond. We invite you to join us at this year’s event and take part in the discussion. The event is designed to be interactive like the world we live in giving delegates the opportunity to share their ideas live at the event via our Twitter board and in moderated roundtable meetings.

Who’s Coming? Join Music Industry Leaders – including major label execs from Universal, Warner, EMI and SonyBMG; top digital executives from MySpace, AOL, Rhapsody, MTV, Topspin, ARTISTdirect, Amazon.com, Slacker, Live365, Nokia, Pandora, Yahoo!, iLike, Eventful, Rovi, imeem, RealNetworks, Consumer Electronics Association (CEA); and many more. For more information, contact Ellen Gildersleeve:
ellen@digitalmediawire.com or call 310-855-0033 ext. 705


New Noise ConfNew Noise Conference

New Noise Santa Barbara is a three-day music and digital media conference that will showcase emerging and established bands, host educational panels on the music industry’s hottest topics, present esteemed experts from all walks of the business, and serve as a place for players big and small to connect and plot the future of sound. New Noise will be equal parts classroom and playground, blending each day’s intelligent discussion and all-important networking with entertainment offered during the evening at venues large and small.


GRAMMY MusicTech Summit

The PNW Chapter in partnership with the Mayor’s Office of Film and Music is proud to present the 4th Annual GRAMMY MusicTech Summit 09 at the Experience Music Project in Seattle.  The two day long event will feature 10 panels and keynote address by echomusic Co-Founder, Mark Montgomery.


CMJ Music Marathon

CMJ Music Marathon & Film Festival 2009 will hit New York City from October 20-24 and for 5 days and nights, over 1,200 artists and 120,000 fans will take over more than 75 of the city’s greatest nightclubs and theaters. Headquartered once again at New York University’s Greenwich Village campus; don’t miss your chance to participate in New York City’s largest music festival.

CMJ ‘09 will feature exclusive nighttime parties, daytime exhibit areas, registrant lounges, a technology fair, artist and press lounges, meet and greets, panels, seminars, mentoring sessions, community initiatives, networking events, Q&As and special events.

Tags: , , , , , , ,

Beyond the Pedway Interview

I had the pleasure of sitting down with Tim Jahn last week and talking about ArtistData. Tim has been doing a series of interviews with Chicago-based companies called Beyond the Pedway and wanted to add ArtistData to the mix. We chatted for about 45 minutes, but so you’re not bored, he only included about 6 minutes.

We chat about starting a company, how artists and startups are alike, and some things I’ve learned along the way. It was fun, and while I absolutely hate watching myself on video, it turned out well. Video is embedded below. Thanks Tim!

And yes, I realize the internet was created for more things than automation. That’s editing for you… Haha

Tags: , , ,

ArtistData getting a bunch of attention

It’s been a fun couple weeks for ArtistData. First, we were nominated for a Chicago Innovation Award, which is flattering in itself. Then, users started voting and commenting, which was 10000000x more flattering. Go check it out. We are humbled.

Then, late last week, Derek Sivers (founder of CD Baby) posted an article on his blog about the need for central management of data. He suggested something a bit beyond ArtistData in its current state, but mentioned that we were well on our way. Go check out his post as well.

Finally, today our friends at Next Big Sound (”Actionable Analytics for the Music Industry”) posted a really great and recommended article called “A Band’s Guide to Surviving Online“. They mentioned that we were making bands lives easier. We hope so. I gave my feedback in the comments.

Thanks everyone for the support! It’s amazing.

Why ArtistData is launching an application platform

This post was originally posted on the ArtistData blog

Last week we announced that ArtistData would be opening up the platform and allowing third party developers to build applications. We will provide a robust artist-focused content management system and a flexible billing solution, all accessible through a complete set of APIs. Industry feedback has been phenomenal.

One big question we’ve been getting is “Why do it?” After all, ArtistData has been growing like a weed recently from viral marketing alone. One might think because our growth was solid and our name was spreading quickly throughout the industry that we should stay the course and continue focusing on our syndication product. It wouldn’t make much sense to change focus when people were finally paying attention, right?

ArtistData was created to help musicians be more efficient and effective with the little time they had. Instead of data entry, we wanted them to spend their time more productively on our partner sites: interacting with fans. We didn’t want to compete with other music sites, but instead make the sites’ interaction with artists more meaningful.

Recently, we’ve found ourselves more often labeled “another artist DIY tool” and being asked by our users to compete with potential partners by expanding our feature set. We want to avoid that.

In launching the platform, we are revisiting the initial strategy of giving artists a central place to utilize different services. We plan to empower artists by empowering developers. We will provide a solid, robust platform on which developers can create top quality apps and artists will get a convenient way to access and subscribe to those apps. We think the industry needs this.

So again, why ArtistData? I think the advantage we have is because we like being neutral. By launching apps alongside our own, we even open ourselves up to people building better syndication tools than us. We’re okay with that. We would applaud someone who would build a better solution for publishing to 3rd party sites than we have. If it helps artists better, we’re happy.

How will this help developers / entrepreneurs?

We feel that by giving developers a robust platform to build on that is already in use by tons of musicians, development will be faster and the apps will get in front of the intended customers immediately. If you’re a developer who wants to build better mailing list software for bands, you can build it within a dashboard artists are already using. If you want to build a way for bands to calculate how much they’ll spend on gas while on tour, you can create an app that pulls existing tour data. Developers won’t go through the trouble of getting bands to enter data one more place, and they won’t have to convince artists to try out an entirely new platform or website.

The other big thing is conversion. Research shows that conversion rates (getting someone to buy something after they visit the product’s page) are higher when the customer doesn’t have to go through the entire purchase process. With our platform, developers will have the option to collect payments through ArtistData. Artists will simply click “Subscribe Now” and their card on file will be processed. We think this will lead to much greater revenues for the developers (allowing them to continue to build awesome tools) and make subscribing to different services much more convenient for artists.

Besides consolidating subscriptions, how else will it help artists?

Right now, there is a huge number of DIY tools available for artists. The problem is, there is no consolidation. Some companies have built expanded feature sets, but the inherent problem is that as a single team builds more and more features, each feature gets less and less attention. This leads to a reduced quality in the tools. We’re guilty of that as well. Our Tour Book creator hasn’t been updated in a year. It could be much more useful for bands, but it’s not our focus. So the usefulness of that tool has suffered.

What we want is to create a place where focused teams can build high quality apps. This will mean that artists will have one interface to interact with where they can have access to a variety of applications built by dedicated teams. We think that will lead to a greater number of higher quality tools in the most convenient environment possible for the artist.

So what’s next?

We have already assembled a great group of initial app developers, who are all intending to use ArtistData in really creative ways. We’re going to work with these people on finalizing the platform to make sure they can use it exactly how they want. I want to make something really clear: this is going to be a very transparent process. We are going to be very open about exactly what this platform can and will do. And we want your participation! Please, visit developers.artistdata.com and sign up on the developer list to be part of the conversation. Also, always feel free to send questions and concerns to partners@artistdata.com

Sorry for the long post, but hopefully it adds some insight into our vision.

This is going to be exciting. Thank you so much for being a part of this journey!

Tags: ,

Today we announced the ArtistData application platform

Originally posted on the ArtistData company blog

ArtistData-Platform_600

There’s been a lot of buzz today about our announcement to release an application platform for bands. We are just as excited as the industry is, and we will be posting a lot of information about it, starting Tuesday when I will post a blog entry right here about some of the questions surrounding it.

Until then, please check out the announcement slide deck about the initiative. Also, enjoy some of the great coverage we’ve gotten from the following sites:

Also, if you are interested in developing for the platform, please sign up on our developers list and we’ll keep you very updated.

Have a great weekend everyone, and thanks for your overwhelming support.

Tags: , ,

Following Through as an Artist

This post was originally posted on the ArtistData blog

As the guy running ArtistData, I hear a lot of new music. About two months ago, I heard a track that stuck out by a band that I won’t name. I listened to more on MySpace and was really impressed. They seemed to have a good following, a bunch of upcoming shows, and thoughtful branding (by that I mean it looked like they cared about their CD artwork, site design, etc…).

After listening on and off for a few weeks, I decided to do something I rarely do: I emailed friends at labels and agencies recommending the band. It isn’t often that I hear an artist that I’d promote to my network, but this band stuck out. So I tried to help.

Before I emailed my network, I asked them for permission to pass along their music, as well as confirm they wanted to build a team. Their email response: “We’re actually looking for an agent number one, possibly a manager. Our main goal right now is just playing more shows … so an agent would really help.”

So I sent out the music. I also asked the band to send me MP3s of the album in case anyone was interested in hearing more. They never did. After a few weeks, an agent friend at Creative Artists Agency asked to hear more. Since I didn’t have more music, I emailed the band, telling them CAA wanted the album and gave them the address and contact to send it to. I also asked them again to send me MP3s to pass along to the agent (at his request this time).

Silence.

Six days later, I emailed them again, confirming they got the email. They responded immediately, blaming phone troubles on the lack of response from a few days before. Not a big deal, but instead of responding with the digital files, which I had asked for twice now, they said they’d put a package in the mail and asked me if he’d want digital files too. I responded saying (or I should say repeating) it would be great if they could send me the MP3s.

Since then, I haven’t heard from them. And neither has he. They never sent the package!

Speaking with him today, he said “Well, it’s better to know that they are that type of band sooner than later.” I couldn’t agree more.

Now, it is my opinion that the correct response for a band who, a few weeks after handing out their music to strangers at SXSW had a agent from CAA personally requesting their album, should have been this:

1. Celebrate
2. Overnight multiple CDs immediately with a handwritten “thank you for listening” note
3. Realize that whatever happens next, just impressing an agent at that level is an accomplishment worthy of a celebratory beer

You have to follow through.

Not only did this band waste my time, but also came off looking unreliable. They’re a great band, and I bet they’ll succeed. But I wouldn’t work with them, and I’d tell that to anyone who asked. So would the agent.

You have to follow through.

Tags: ,